![]() ![]() ![]() This research has been through both: the descriptive approach and the analytical approach in order to formulate a theoretical, an ideological and a literary framework for both perceptions of fiction and reality and their relation to irony a style frequently used by the postmodernist writer. Accordingly, the study aims to examine the three postmodern concepts of irony, metafiction and hyperreality in the contemporary novel Atonement (2001) by the British writer Ian Russell McEwan. Postmodernist writings rely heavily on fragmentation as well as paradox, and questionable narrators have given birth to new strategies and concepts of writing. By the mid-20th century, Western writers have become confronted with various issues related to the studies of thought and ideology in a direct way, the subjects they undertake along with the fundamentals on which they construct the narrative of their writings shape their literary works in order to put them in a postmodern context. ![]()
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